ONGAKUGAKU
Journal of the Musicological Society of Japan, Vol. XLVII (1) (2001)
CONTENTS | Japanese |
OZAWA Yuko | 1 | The Rondo Finales of Mozart's Piano Concertos: Their stylistic change since K.450 |
KOBATA Ikuo | 15 | An Acoustical Phenomenon Illustrating Harmonic Dualism: The Qualitative Relationship between Partial-Tone Structure and Sensory Consonance |
SEKIGUCHI Hiroko | 27 | H.G.Nägeli und die Männerchorbewegung in der Schweiz: Eine Seite der Musik und der Gesellschaft in der Schweiz in der ersten Hälfte des 19. Jahrhunderts |
NISHIMURA Osamu | 40 | The Discourse on Schoenberg's Music in Musikblätter des Anbruch: Musicology and Anti-Semitism in the 1920s |
YAKO Masato/ KISHIDA Naoki | 55 | A Notational Data Format for Traditional Music Using Standard Data Description Language: A Data Format Using XML for Nagauta Notation |
78 | Book Reviews | |
85 | Reports on the Regional Meetings | |
89 | Dissertations in Musicology (2000) |